bookmark_borderSep. 10 – Journal Entry: I want to Talk Less

I rarely sleep well these days. Truth be told, I’ve never slept well. I must be completely exhausted in order to fall asleep quickly. Otherwise, I lay on my bed for hours with my eyes closed, waiting, wishing for unconsciousness. While I wait, I try to focus on breathing. I count my breaths in hopes of distracting my own mind. Anything for some peace and quiet. Success is rare.

When I give in, I usually turn to my keyboard, my typewriter, or my phone. Whatever I need to get the thoughts out of my head. Not really out of my head, but at least stored somewhere else. I wouldn’t say it is a relief. It is more an exercise to keep myself awake and to be productive in the meantime. At least if some words have been recorded then something has been created, something has been produced. Below is a late night rambling, and I am posting this as a way to feel productive during another challenging night.

I just wish that I was the right kind of tired right now.


  I want to talk less. I want to say less. There is an intimacy found in silence. Shared silence is something most westerners find uncomfortable. And when we speak it is like putting up shields. Our words are influenced by all the noise we hear throughout our days, from our phones, and various other screens. Where is our silence, the time when we are intimate with ourselves, where we hear our own thoughts? Where has our silence gone? And without it, how can we understand ourselves? And without that, how can we understand each other?    

This is not a noble act. It is an act of desperation. I am desperate for safety. I desperately want to feel more secure. But words, like shields, grow weak over time with extended use. Under repeated pressure cracks form, and those cracks can be exploited. The art of exploitation is something humans excel at. I’m not entirely sure why this is, but I think of it often. People frighten me. Real strength, it seems, real resilience comes from within, from the silence. Speak less, consider more. Fewer words form fewer cracks. Can you withdraw inside but still be amongst the world. Why is there this drive to contribute? I think of Robin William’s monologue from The Dead Poets Society. I need to watch that again. It’s the one where he recites Walt Whitman’s O Me! O Life!

 O Me! O Life!
By Walt Whitman
Oh me! Oh life! of the questions of these recurring,
Of the endless trains of the faithless, of cities fill’d with the foolish,
Of myself forever reproaching myself, (for who more foolish than I, and who more faithless?)
Of eyes that vainly crave the light, of the objects mean, of the struggle ever renew’d,
Of the poor results of all, of the plodding and sordid crowds I see around me,
Of the empty and useless years of the rest, with the rest me intertwined,
The question, O me! so sad, recurring—What good amid these, O me, O life?

                                       Answer.
That you are here—that life exists and identity,
That the powerful play goes on, and you may contribute a verse.

But must we really contribute? And what determines contribution? Need there be an audience? Are our contributions given reality, given value, weight, form, function, validity only if and when there is an audience, another identity? Perhaps the better question is the inverse. Is it possible not to contribute?     

I think of the words of Thich Nhat Hanh when he illustrated pratityasamutpada (dependent origination) using a table as an example.

     So then, is there anything that is not a contribution? Is there any action that does not cause another action? Is there any equation without an answer, without a result? I suppose not. And so I suppose  no matter what we are all always contributing. The audience doesn’t matter. Existence is the audience. It is the audience and it is the performance. They are one and the same. This is the essence of dependent origination, which goes by other names. That cause and effect are not to be seen as separate. I suppose.
     So why then do I so badly wish to become anonymous?* Does a name bestow us with expectations? Is a name inclusion? Inclusion in a group and all groups have motives, purposes, a current that flows in a general direction towards a goal to which all actions are judged?     

Anonymity is as good as being invisible. Yet true anonymity is seemingly impossible these days.
Anonymous – adjective1. having no known name or identity or known source.

Anonymous entry in the Online Etymology Dictionary

And what about my friends? What about the joy of conversation? Of sharing tea or coffee in a quiet kitchen or on an outdoor patio? What would a life without those things be worth?   

So what is it really that I am asking for? What is it? Or a different way. Where is it I am asking to end up? Where—not a place but a being— am I wanting to find myself. A slower, quieter place. A place within. A place where I wait more, consider more, and where I speak more slowly, and where I speak much more by saying much less.


I think there are elements of imposter syndrome, a multifaceted need to control, fear for sure, guilt and/or shame, certainly harsh judgement, dissatisfaction, …
And there is, of course, and always, a desire to be accepted, and if I am lucky, understood.


*The irony that this is being posted on a blog, accessible to any and all who happen across it is not lost on me.

bookmark_borderTwo Short Beginnings – Writing in New Brunswick with Images as Prompts

Yesterday I met up with a friend in New Brunswick (NJ). We were hoping to get a bit of writing done. I took a train North, while she took a train South, we met in the middle roughly equidistant from where we each live. Neither one of us are terribly familiar with the area, though I spent a brief amount of time during my college years living with an ex-girlfriend of mine. I arrived first and walked to a park, the train station in sight. I, like many writers, often–almost exclusively–write in solitude, in my kitchen, a usually controlled environment where my dog seems to always understand what’s going on. I had no idea what to expect, how I would perform writing outside of my kitchen.

Continue reading “Two Short Beginnings – Writing in New Brunswick with Images as Prompts”

bookmark_border15 April 2021 (feat. The Blanket poem)

Another night of restlessness.

I wrote a poem while lying in bed. I think it’s too sentimental, and therefore too amateur. Is sentimentality amateur? If so then there’s no hope for me. I am far too sentimental.

Yet I have problems with sentimentality. At least overly sentimental writing.

— (read on after the poem for an unintentional book review) —

Continue reading “15 April 2021 (feat. The Blanket poem)”

bookmark_borderA Bit of World Building in Hisham Matar’s The Return

“We entered the unexpected silence trees create by the sea. The changed light. The moistness in the air becoming slightly more material.”

Hisham Matar, The Return, Pg. 26

I’m currently making my way through Hisham Matar’s memoir The Return. When I came across this passage I was struck by how poetic it was, and by how simply Matar was able to construct a space in my mind, a sensation of a place, with so few words. It reminded me of the concept of world building I had learned last year.

Continue reading “A Bit of World Building in Hisham Matar’s The Return”